Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. In other locations, such as South Africa and Australia, where there were no ruins to enjoy, there was even less that was deemed noteworthy. Even in India, with its remarkable array of historical and religious sites, the British described much of the terrain as monotonous. Moreover, the visual familiarity of iconic sites meant fewer opportunities to explore the unexplored. By privileging certain sites, the picturesque ironically made much of the empire seem boring as even the most impressive views were rarely as spectacular in person as they were in paintings and engravings. It analyses the complex interaction of aesthetic theory and perception, and highlights the propagandistic qualities of the picturesque that emerge in contrasts between the work of amateur and professional artists. Chapter 2 looks at how travelers drew and described imperial landscapes, arguing that the picturesque was an aesthetic paradigm that concealed the monotony, hardship, and otherness of foreign lands.
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